GALLERY: 94

Bob Dylan







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94-1
Train Tracks Portfolio
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94-2
Man on a Bridge Portfolio
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94-3
Woman In Red Lion Pub Portfolio
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94-4
Boxed Set of 10 Standard Format
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94-5
Boxed Set of 6 medium format
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94-6
Two Sisters Large Format
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94-7
Backyard
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94-8
Fisherman
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94-9
Bicycle
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94-10
Dad's Restaurant
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94-11
Dallas Hotel Room
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94-12
Horse
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94-13
Rose On A Hillside
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94-14
Sunflowers
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94-15
Bragg Apartment, New York City
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94-16
Sunday Afternoon
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94-17
Vista From Balcony
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94-18
Woman On A Bed
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94-19
Man On A Bridge
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94-21
Cassandra Portfolio
Set of Four
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THE DRAWN BLANK SERIES GRAPHICS COLLECTION

Prior to the seventeenth century most artists had viewed printmaking (or Graphics as they are also known nowadays) as a preparatory technique, using the medium to create sketches for their final paintings.

The Dutch artist Rembrandt van Rijn (1606-1669) was one of the first artists to use printmaking as a form of art in its own right. Although initially a painter, he became devoted to the medium of etching; creating approximately three hundred etchings during his lifetime. His importance and renown within the art world in this context is of such significance that, when the medium was revived during the twentieth century, artists such as Picasso fervently aspired to be as skilled as him in this medium and, during the 1930s went on to create, amongst many fine art graphics, a series of etchings which featured imagery of Rembrandt.

The series was entitled 'The Vollard Suite', named after the renowned art dealer and critic Ambroise Vollard (1866-1939) who commissioned and published it. Vollard was one of the most important art dealers of the early twentieth century, and worked with artists such as Edgar Degas (1834-1917) and Camille Pissarro (1830-1903). Importantly, it was Vollard who pioneered the idea of painter as printer, bringing printmaking back into fashion and establishing it as a reputable art form that artists enjoyed and enthusiastically used. As Vollard himself commented: “…the painters themselves became more and more interested in the new form of expression. Some of them even made complete albums for me…”

After the Second World War the centre of printmaking predominantly moved from Europe to America and some artists began to dedicate their entire oeuvres to print, which came to be viewed on the same level as painting and sculpture. Indeed, artists such as Andy Warhol (1928-1987) were committed to the medium - repeating an image in many different colour-ways - just as Bob Dylan has done in his works years later.

As part of this tradition, and continuing it into the twenty-first century, a carefully selected collection of Dylan's paintings have been chosen to be published as Signed Limited Edition Graphics to enable collectors and art lovers throughout the world access to Bob Dylan's works of art.

This graphics collection entitled 'The Drawn Blank Series' captures the true essence of Dylan's original paintings. In the spirit of Vollard, it is the production of these prints that enables a wider audience to appreciate the skill and imagination not only of Dylan the artist, but also of Dylan the man.

Each edition, depicted in this brochure, is published in a limited number of no more than 295 copies worldwide. All are printed on Hahnemühle Museum Etching or Innova Soft Texture paper, certificated and personally signed by the artist.

Washington Green Fine Art Publishing Company are proud and privileged to present this unique collection of highly acclaimed graphics; representing yet another landmark in its 25 year creative journey of fine art publishing.













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Bob Dylan








Bob Dylan




Bob Dylan is one of the most influential and, at times, controversial figures in the music world of the last five decades. Over the last forty-six years he has released forty-four albums and written over five hundred songs including 'Blowin' in the Wind', 'The Times They Are A-Changin', 'Like a Rolling Stone', 'Knockin' on Heaven's Door' and 'Make You Feel My Love'. Selling over 110 million records around the world, his songs have been covered more than three thousand times by artists as diverse as Sonny and Cher, The Byrds, the Rolling Stones, Duke Ellington, Jimi Hendrix, Keith Jarrett, Guns N' Roses, Stevie Wonder, Rod Stewart, the Red Hot Chili Peppers, Bob Marley, Pearl Jam and Neil Young. Bob Dylan's music has been recognised and honoured with many awards.

He received an honorary doctorate of music from Princeton University, New Jersey in 1970 and from St Andrews University, Scotland in 2004. In addition to winning numerous Grammy Awards, his song 'Things Have Changed' from the film 'Wonder Boys' (2000) won him an Academy Award in 2001 and his last album, 'Modern Times' (2006), entered the charts at number one in America, and charted Top Five in over twenty-one countries around the world.

From his performances in Greenwich Village coffee houses, festivals and rallies in the early 1960s, to his stadium concerts of the 1970s and his subsequent worldwide tours, Bob Dylan has built his musical reputation on the strength of his live appearances. He has played no fewer than one hundred shows a year since 1988 and has performed alongside other major artists such as Joan Baez, Tom Petty, George Harrison, the Grateful Dead, Eric Clapton, the Rolling Stones and Bruce Springsteen.

Although Bob Dylan is best known as a singer and songwriter, he is also a writer, film director, actor, radio broadcaster and artist. His experimental collection of writings, 'Tarantula', was published in 1970 and his autobiography 'Chronicles: Volume One', released in 2004, became an international bestseller. Bob Dylan has both directed and acted in a number of films, making his first appearance in 'Pat Garrett and Billy the Kid' (1973) and more recently in 'Masked and Anonymous' (2003). A collection of Bob Dylan's drawings and sketches, made while on a tour of America, Europe and Asia between 1989 and 1992, were published in 'Drawn Blank' in 1994. These drawings were re-worked and first shown at a museum exhibition in Germany in autumn 2007, and at Halcyon Gallery, London in 2008.






In April 2008, Dylan received a Special Citation Pulitzer Prize 'for his profound impact on popular music and American culture, marked by lyrical compositions of extraordinary poetic power'. A major exhibition of selected works from 'The Drawn Blank Series', together with new re-worked versions, and a magnificent collection of Signed Limited Edition graphics are premiered across the UK this summer.



BIOGRAPHICAL HIGHLIGHTS


Bob Dylan was born in Duluth, Minnesota on 24th May 1941. He grew up in the mining town of Hibbing and played in a number of rock and roll bands as a high school student. In 1959 he enrolled at the University of Minneapolis but left after his freshman year.





The Sixties








1961 In January, Dylan moved to New York City where he visited his idol Woody Guthrie in hospital and performed in the folk clubs of Greenwich Village. Following a performance at New York's Gerde's Folk City in September, Dylan received public recognition through a review by critic Robert Shelton in The New York Times. Dylan's talents were brought to the attention of A&R producer John Hammond and in October he signed a contract with Columbia Records.

1962 In March, Dylan released his first album, 'Bob Dylan'.

1963 Dylan's second album, 'The Freewheelin' Bob Dylan', released in May, made his name as a singer and songwriter. He soon became an important figure in the folk movement of Greenwich Village. 'Blowin' in the Wind', which appeared on the album, was released by Peter, Paul and Mary and reached number two on the American music charts in July. In the same month, Dylan performed at the Newport Folk Festival. It was also during 1963 that Dylan became prominent in the civil rights movement, singing at protest rallies with Joan Baez. On 28th August he sang at the March on Washington for Jobs and Freedom, the civil rights rally at which Martin Luther King Jr delivered his famous 'I Have A Dream' speech.

1964 Dylan felt increasingly constrained by the folk and protest movement and his fourth album, 'Another Side of Bob Dylan', released in August 1964, showed a move away from protest songs to ones of a more personal and poetic nature.

1965 Dylan released 'Bringing It All Back Home', which included the use of electric instruments and signified his departure from folk music toward rock and roll. In April, Dylan began a tour of Britain and the hysteria surrounding him was captured in the film documentary, 'Don't Look Back' (1965), directed by the filmmaker D. A. Pennebaker. Dylan's single 'Like a Rolling Stone' was released on 20th July and became his first major hit. Five days later he performed at the Newport Folk Festival, backed by the Paul Butterfield Blues Band, where he showcased his new electric sound and received a mixed response from the audience. In September, Dylan began touring backed by the Hawks - who later become known as The Band.

1966 In April, Dylan began a tour of Australia and Europe, which culminated in a raucous and notorious confrontation between the singer and fans during a concert at the Manchester Free Trade Hall in Britain. On 29th July near Woodstock, New York, Dylan crashed his motorcycle. Although the extent of his injuries were not known, he disappeared from public view for many months. He would not tour again for eight years.

1967 In spring, The Band moved to Woodstock to be closer to Dylan and he recorded with them in the basement of their house. The tracks produced were widely bootlegged and only legitimately released in 1975 as 'The Basement Tapes'.

1968 On 20th January, Dylan made his first live appearance following the accident with The Band at a memorial concert for Woody Guthrie in New York City.

1969 In May, Dylan appeared on the first episode of Johnny Cash's new television show, singing several songs as duets with Cash. Dylan rejected requests to perform at the 'Woodstock Festival' and instead topped the bill at the 'Isle of Wight Rock Festival' on 31st August.

Whilst travelling on tour between 1989 and 1992, Bob Dylan created a collection of drawings that were published in a book entitled 'Drawn Blank' in 1994. These expressive works capture Dylan's chance encounters and observations. The creation of these portraits, interiors, landscapes, still lifes, nudes and street scenes were done to "relax and refocus a restless mind".

Ingrid Mössinger - the curator of the Kunstsammlungen Museum, in Chemnitz, Germany - came across 'Drawn Blank' during a visit to New York in 2006. Instantly excited about Dylan's work, she contacted the artist's team and was thrilled to learn that Bob Dylan would agree to have his art exhibited in public for the first time.

When Dylan had first drawn the works in this series he had intended to create paintings based upon them. Ingrid Mössinger's proposed exhibition encouraged him to now do this using watercolour and gouache. "I was fascinated to learn of Ingrid's interest in my work, and it gave me the impetus to realise the vision I had for these drawings many years ago," Bob Dylan commented.

These paintings formed a collection entitled 'The Drawn Blank Series'. Unlike the delicacy of the drawings in 'Drawn Blank' the paintings are expressive and vibrant. Dylan paints several versions of the same image, using different colours and tones which result in a dynamic variety of impressions, feelings and emotions.

This choice and skill in applying different colour arrangements to the same original drawing enables Dylan to express his feelings and perceptions of an idea or view - continually evoking different feelings and reactions, and thereby creating evolving works of art. This technique is intrinsic to Dylan in all aspects of his creative life. As Tobias Rüther (Frankfurter Allgemeine newspaper), who credited Dylan with successfully translating his songs into art, commented: "That which he's done for years on the stage - performing new versions of his old songs in order to give a fresh interpretation - he's now continuing on deckle-edged paper."




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